Listen to the music we played to Lord Spikeheart during his Invisible Jukebox interview in The Wire 501 Each month in the magazine we play an artist or group a series of tracks which they are asked to ...
In The Wire 501, Robin James argues that the influential cultural theory of hauntology does not account for developments in Black creative practices and music of the late 20th and early 21st centuries ...
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When I first met Milford Graves for a private tutorial he asked me to play something for him and almost immediately stopped me. “Why are you playing a ride pattern on the ride, man? Play something ...
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 494. Inside our brand new issue: Raven Chacon: The Diné/Navajo composer foregrounds unheard and silenced voices in his radical ...
Felix Kubin compiles an annotated playlist of tracks from the nonconformist German label ZickZack, in honour of its founder ...
A new Foley based production at London's Royal Court Theatre invites us into the sound-making world of animals, writes Giles ...
Six Finger Satellite frontman and synth player J Ryan talks to Joseph Stannard about the making of the Rhode Island group’s newly reissued 1995 Severe Exposure album ...
Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith Clarissa ...
To accompany his report on Collapsing Drums in The Wire 500, Spenser Tomson explores a playlist of releases from the pandemic ...
Trio of Adam Bohman, Jonathon Bohman and Sophie Sleigh-Johnson mixing up found texts, found sounds, bowed objects, electronics anad cassettes.
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